First extensive monograph of painter Nadira Husain!
DEUX SOEURS
From Audre Lorde and Adrienne Rich to Basma Alsharif and Pauline Oliveros, Deux Soeurs brings together a chorus of voices that explore representations of parenthood, friendship, and disobedience. The book acts as a reader to artist Beatrice Gibson’s films, I Hope I’m Loud When I’m Dead (2018) and Two Sisters Who Are Not Sisters (2019),… Read more »
The Want
opera by Adam Linder with a score by Ethan Braun and staging by Shahryar Nashat Premiere December 13–16, 2018
Zustandskatalog – Catalog of States and Conditions
Comprehensive overview of and insights to the multifaceted practice of artist Reto Pulfer Berlin launch 19.4.2017
Bilder 1998–2016
“A monograph on Amelie von Wulffen has long been overdue. For more than twenty years, the artist has been developing an oeuvre that is quite diverse in formal and stylistic terms (collages, installations, animation films, drawings, sculptures, and paintings), yet possesses a thematic consistency that is revealed in this publication. While her motifs appear to… Read more »
Desert of the Real
Poster design for new film of Christian von Borries.
After Inspired by an Atlas of Leprosy
This artist’s book is published on the occasion of two exhibitions by Lucy McKenzie, one at Galerie Buchholz in Berlin and the other at Galerie Buchholz New York. The book takes the form of an inventory from an estate sale. It lists all items and describes them with faux provenances and sources.
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Workshop Synchronisierung und Konsens/Dissens
Was heißt es, wenn politische Bewegungen darauf setzen, Entscheidungen im Konsens zu treffen? Was geschieht mit Dissens ohne Aussicht auf ein Majoritätsvotum, das der Auseinandersetzung eine institutionelle Form gibt? Was ist von der Zeit zu halten, die dabei vergeht? Wie gut umgehen mit dieser Zeit? Und was für Optionen gibt es überhaupt, damit umzugehen? Zwei… Read more »
Auto Ficto Reflexo
Rethinking linguistic conventions with the body in focus – this is the task Adam Linder has taken on in Auto Ficto Reflexo. Inversely, he has appropriated the codified language of cultural production and mediation for his own choreographic purposes. Interviews with artists, cultural-policy rhetoric or critique become rhythmic-conceptual generators of movement in this duet that is… Read more »
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