Udolpho is a new space dedicated to the exhibition and sale of rare books and manuscripts. The Visual Identity for Udolpho comprises the design of logo, stationery, exhibition posters, hand outs and the website. Exhibition photography by Nick Ash. Website programming by selbstbewusstlos.
Telling and Retelling
Poster design for the artist´s permanent commissioning at Zealand Institute of Business and Technology, Campus Roskilde, Denmark in 2014. The complex work “Telling and Retelling” comprises site specific installations such as curtains, vitrine with objects, films and a poster. Photography by Johannes Christoffersen
Grand Openings Return of the Blogs
15th Bakhtin Conference
Collaboration with Hinrich Sachs on his contribution for the 15th Bakhtin Conference: Bakhtin as Praxis: Academic Production, Artistic Practice, Political Activism in Stockholm, Sweden from 23–27th July, 2014.
Ditch Plains
Shot in the East New York section of Brooklyn around the time of Hurricane Sandy, Ditch Plains (HDV, 29 mins) is a dystopian sci-fi street dance film featuring members of Ringmasters Crew. Like avatars running the levels of an apocalyptic video game, Ringmasters Corey, Jay Donn and Marty McFly hallucinate the city and its networks… Read more »
Something They Have To Live With
Poster design on the occasion of Lucy McKenzie´s solo show at Stedelijk Museum Amsterdam commissioned by Verlag der Buchhandlung Walther König. Photography by Johannes Schwartz.
This Book is a Classroom – Posters for booklaunch
This Book is a Classroom booklaunch at Scriptings Saturday February 23rd, 7pm. An evening of live presentations by some of the contributors to the publication “We would like to learn, and we are working on a book. This book is a classroom.” and others, including Paolo Caffoni, Dominique Hurth, Achim Lengerer, H.I.T, Lucie Kolb, Romy… Read more »
Ein Lied um Mitternacht. Chinesische Filmgeschichte von 1929 bis 1964
“A Song at Midnight sets out, for the first time in Germany, to present a substantial part of Chinese film history. Seen in retrospect, Chinese cinema prior to the Fifth and Sixth Generations may appear to pursue merely propagandistic aims. Yet what becomes visible upon closer scrutiny is one of the liveliest of national film… Read more »
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