“A monograph on Amelie von Wulffen has long been overdue. For more than twenty years, the artist has been developing an oeuvre that is quite diverse in formal and stylistic terms (collages, installations, animation films, drawings, sculptures, and paintings), yet possesses a thematic consistency that is revealed in this publication. While her motifs appear to… Read more »
After Inspired by an Atlas of Leprosy
This artist’s book is published on the occasion of two exhibitions by Lucy McKenzie, one at Galerie Buchholz in Berlin and the other at Galerie Buchholz New York. The book takes the form of an inventory from an estate sale. It lists all items and describes them with faux provenances and sources.
15 Years of Drawing – A Check-Up
large size artist’s book monograph for the works of Svenja Kreh. with texts by Cynthia Cruz, Kai Hölzner, Clemens Krümmel, Susanne Leeb and Wolfgang Neuhaus/ William Gibson Svenja Kreh’s works reach deeply into the underbelly of modern art history, its colonial, imperial, ethnographic cavities, use archaic languages sans-souci. […] Hers is the work of art… Read more »
Midcareer Paintings
Graphics for the exhibition Merlin Carpenter: Midcareer Paintings (19 September – 1 November 2015) at Kunsthalle Bern.
Seasons and Sacraments
Disestablish
Humphrey Jennings: Painting, Collage, Film
Am Brunnen vor dem Tore
“Where do we see art? How do we see art? And what do we see? Jochen Plogsties’s Am Brunnen vor dem Tore is a visual examination of the artistic object. By painting, he seeks to clarify the nature of art, its places and its processes. In his paintings, the museums are facing their objects, and… Read more »
Jochen Plogsties
The design for the artists solo show “Jochen Plogsties – Kunstpreis der Leipziger Volkszeitung” at Museum der bildenden Künste Leipzig (3 December 2011 – 26 February 2012) comprised various applications, such as invitation card, poster and catalogue design as well as exhibition graphics. The catalogue includes texts by Britt Schlehan and Veit Görner.
Even Running
“The publication documents Judith Raum’s solo-shows at uqbar, Berlin and The Return, Dublin as well as includes transcript of lecture performance harmless entrepreneurs (2011), which was shown at both locations. The works presented in the exhibitions deal with modes of production and material culture within German economic imperialism in the Ottoman Empire during the early… Read more »
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