Graphics for the exhibition Merlin Carpenter: Midcareer Paintings (19 September – 1 November 2015) at Kunsthalle Bern.
Raw and Delirious
Design of visual identity for exhibition Raw and Delirious (20 June – 30 August 2015) at Kunsthalle Bern comprises poster, invitation card and ads as well as exhibition graphics.
Index
Visual Identity for Index – The Swedish Contemporary Art Foundation in Stockholm Website development by Ingo Tegeder Fotos by Johan Wahlgren
Udolpho
Udolpho is a new space dedicated to the exhibition and sale of rare books and manuscripts. The Visual Identity for Udolpho comprises the design of logo, stationery, exhibition posters, hand outs and the website. Exhibition photography by Nick Ash. Website programming by selbstbewusstlos.
The TukTuk
Visual Identity design for flower advisory service The TukTuk based in London.
Ernste Spiele / Serious Games
In the four video projections Serious Games, Farocki examines the use of computer game technologies in the training of American soldiers. We see young recruits at the screen engaging in simulated combat training, for example, which barely differs from games produced for entertainment. The series thus depicts how our collective imagination of war is being… Read more »
HOUSE STYLE
HOUSE STYLE presents a series of new commissions initiated by Panel with Annette Lux and Steven Cairns in response to, and alongside, a specially selected film programme sourced from the British Film Institute National Archive. HOUSE STYLE takes as its starting point a monthly Technicolor film series called Roundabout (1962–1974). Roundabout was designed to promote Britain… Read more »
Holding Page
Holding Page is an advisory, production service and printing press, set up as a means through which to encourage collaborative exchange between artists, specialist makers and galleries.
Deborah Schamoni
Visual Identity design for gallery Deborah Schamoni, Munich. Website design and coding has been conceived in close collaboration with André Fuchs. Gallery photography by Ulrich Gebert
Ein Lied um Mitternacht. Chinesische Filmgeschichte von 1929 bis 1964
“A Song at Midnight sets out, for the first time in Germany, to present a substantial part of Chinese film history. Seen in retrospect, Chinese cinema prior to the Fifth and Sixth Generations may appear to pursue merely propagandistic aims. Yet what becomes visible upon closer scrutiny is one of the liveliest of national film… Read more »
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