Publication accompanying Loretta Fahrenholz’s eponymous exhibition at mumok, Vienna (12 July – 7 October 2018) Including a reprint of Ilse Aichinger’s Story in a Mirror
Stefan Burger
Intricate Others
Design of catalogue on the occasion of Nick’s solo show at Fundação Serralves, Porto from 22 June to 24 September 2017 Catalogue photography by Dotcom (Daniel Poller, Falk Messerschmidt)
The Inventors of Tradition II
Edited by Catriona Duffy & Lucy McEachan (Panel). Texts by Michael Bracewell, Rebecca Gordon-Nesbitt, Fiona Jardine, Juliet Kinchin, Mason Leaver-Yap, Mairi MacKenzie, Ray McKenzie, Bernie Reid, Rebecca Wober and Linsey Young and interviews with Jill Bryson, Eric Michael and Ellen van Schuylenburch.
A Line May Lie / Testing Time
Wiederholen und Ausblenden – Repeat and Fade
The publication comprises a complex documentation of the artist´s solo exhibitions between 2009–2012 and includes essays by Hanne Loreck and Hans-Christian Lotz.
Anfang Gut. Alles Gut. Actualizations of the futurist opera Victory Over the Sun. Kunsthaus Bregenz A r e n a, Bd. 2
“Premiered in St. Petersburg in 1913, and written in “zaum”–a Russian Futurist nonsense language–Victory over the Sun was a vastly ambitious opera, a collaboration between the poets Velimir Khlebnikov and Aleksei Kruchenykh, the composer and painter Mikhail Matyushin and the painter Kazimir Malevich (who made his legendary “Black Square” painting for the work). Anfang Gut…. Read more »
Disestablish
On Performance, Kunsthaus Bregenz A r e n a, Bd. 1
Visual Identity for a series of publications for Kunsthaus Bregenz A r e n a. “From fall 2012, a series of KUB Arena Publications, edited by Yilmaz Dziewior and Eva Birkenstock, is regularly accompanying exhibitions and events in the KUB Arena. On Performance is the first volume published in this series; it not only documents… Read more »
Bodies in the Backdrop
“This book is devoted to the re-presentation and re-installation of a single artwork, Tobias Kaspar’s installation Bodies in the Backdrop, conceived as a site-specific installation. Kaspar worked with material from Peggy Guggenheim’s autobiography Confessions of an Art Addict and photographs taken at Guggenheim’s palazzo in Venice in 2011. The body of work referred to the… Read more »
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