Typesetting for Andrea Büttners new book! Cover design by Matthew Young Edited by Mason Leaver-Yap Published in collaboration with KW Institute for Contemporary Art
KAYA, Kunsthaus Bregenz A r e n a, Bd. 4
The first comprehensive publication on KAYA, a joint project initiated by the painter Kerstin Brätsch and the sculptor Debo Eilers in 2010, in collaboration with the then 13-year-old Kaya Serene […] with texts by Boško Blagojević, Scott Roben, and Kerstin Stakemeier
Archaeology & Exorcisms: Moving Image and the Archive
Identity, leaflet and booklet design for two day conference: Archaeology & Exorcisms: Moving Image and the Archive. The two-day conference Archaeology & Exorcisms: Moving Image and the Archive examines the role of the archive in the research, preservation and distribution of artists’ moving image in a series of presentations, screenings and panel discussions. The conference… Read more »
eser
Open Form – Space, Interaction, and the Tradition of Oskar Hansen
Oskar Hansen’s (1922–2005) theoretical concept of “open form” was developed in the context of international debates around late-modern architecture in the 1950s. Open form assumed that no artistic expression is complete until it has been appropriated by its users or beholders. In the following decades, the concept became a key principle of performance and film… Read more »
Torpor
German translation of Chris Kraus’ novel “Torpor”, originally published by Semiotext(e) in 2006. Translated by Stephanie Wurster Epilogue by Karolin Meunier
The Drumhead
On May 21, 2013, the French right-wing activist and blogger, Dominique Venner, shot himself in the head at the altar of the cathedral of Notre Dame in Paris. His choice to end his life was intended as a demonstration against homosexuality in the public realm. It was also the onset of Gerry Bibby’s investigation into,… Read more »
Hystericizing Germany. Fassbinder, Alexanderplatz
“Rainer Werner Fassbinder’s fourteen-part Berlin Alexanderplatz, broadcast on German television in 1980, is a pivotal work in the artist’s oeuvre. The 1929 novel by Alfred Döblin, a subproletarian apocalypse set in the Weimar Republic, provided Fassbinder with material to historicize the avant-garde of the 1920s and redetermine the relationship between utopianism and popular address. While… Read more »
Unlawful Assembly (2nd ed.)
Kunst und Ideologiekritik nach 1989 / Art and Ideology Critique After 1989, Kunsthaus Bregenz A r e n a, Bd. 3
“The third volume in the series of KUB Arena publications gathers introductory texts, essays, and interviews on the thematic relationship between “Art and Ideology Critique After 1989.” The volume comprised purely of text aims to achieve both an autonomous contribution to ideological research as well as to sensitize readers to differing practices of critiques of… Read more »
Recent Comments