Kunsthalle Bern 19.–29.11.2015
15 Years of Drawing – A Check-Up
large size artist’s book monograph for the works of Svenja Kreh. with texts by Cynthia Cruz, Kai Hölzner, Clemens Krümmel, Susanne Leeb and Wolfgang Neuhaus/ William Gibson Svenja Kreh’s works reach deeply into the underbelly of modern art history, its colonial, imperial, ethnographic cavities, use archaic languages sans-souci. […] Hers is the work of art… Read more »
Figur I, Figur II
Artist’s Book for photographer Andrzej Steinbach Figure I and Figure II are two young women who immediately confuse the viewer. Figure I is photographed against a neutral background, striking various different poses and dressed in an assortment of clothes that make it impossible to ascribe her a fixed role. Depending on which photograph you are… Read more »
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Choreographic Service No. 3: Some Riding
Choreographer and dancer Adam Linder’s Choreographic Services (2013-ongoing) are a series of works, hired on a per-hour basis. Linder takes the significance of the art historical and institutional contexts of contemporary art production as his starting point for Some Riding. He has commissioned two texts by writers Catherine Damman and Sarah Lehrer Graiwer that examine… Read more »
Midcareer Paintings
Graphics for the exhibition Merlin Carpenter: Midcareer Paintings (19 September – 1 November 2015) at Kunsthalle Bern.
in solidarity with Greece
eser
Workshop Synchronisierung und Konsens/Dissens
Was heißt es, wenn politische Bewegungen darauf setzen, Entscheidungen im Konsens zu treffen? Was geschieht mit Dissens ohne Aussicht auf ein Majoritätsvotum, das der Auseinandersetzung eine institutionelle Form gibt? Was ist von der Zeit zu halten, die dabei vergeht? Wie gut umgehen mit dieser Zeit? Und was für Optionen gibt es überhaupt, damit umzugehen? Zwei… Read more »
Auto Ficto Reflexo
Rethinking linguistic conventions with the body in focus – this is the task Adam Linder has taken on in Auto Ficto Reflexo. Inversely, he has appropriated the codified language of cultural production and mediation for his own choreographic purposes. Interviews with artists, cultural-policy rhetoric or critique become rhythmic-conceptual generators of movement in this duet that is… Read more »
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